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NDU

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Alias:
Nihon Documentarist Union

Biography from TheMovieDB

Formed in 1968 at Waseda University, the Nihon Documentarist Union (NDU) was once one of the most influential collectives of Japanese nonfiction filmmaking. Emerging from the student movements of the late 1960s, the politically active NDU produced guerilla-style 16mm documentaries shot with asynchronous sound, and wrote extensively in leftist film journals, magazines and other publications. The group posited an activist cinema of anonymity—rejecting auteurism and opting to exclude individual names from their credits (Japan Society).

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Film Production

Director:
1969  Onikko—A Record of the Struggle of Youth Laborers
1969  Tokyo ’69 – one day blue crayons...
1971  Motoshinkakarannu
1971  To the Japs: South Korean A-Bomb Survivors Speak Out
1973  Asia is One
1974  Notes on the Pacific War
1981  Public Order Project: Martial Law at Noon
2005  Headhunter's Song: The Cry of the Aboriginal People of Taiwan

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At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.