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Lei Chen-ching

Alias:
Chen-Ching Lei
雷震卿

Biography from TheMovieDB

Lei Chen-ching (Chinese: 雷震卿) is a Taiwanese film editor. After graduating from the Audiovisual Program of the Department of Theatre Arts of Chinese Culture University, she entered the C.M.P.C. Studio in 1989 where she began from working as an editing assistant. After sixteen years working in the studio and experienced the transition from traditional film strips to digital editing era, Lei left the Central Motion Picture Corporation and started working as a freelancer. Meanwhile, she also teaches film editing at the National Taiwan University of Arts and the Taipei National University of the Arts. She has edited for more than 40 works.

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Film Production

Editor:
1995  Tropical Fish
1997  The River
1998  Grandma and Her Ghosts
1999  Cop Abula
2000  Hidden Whisper
2000  Sunny Doll
2001  An Ocean Too Deep
2003  Badu's Homework
2003  Drop Me a Cat
2004  Comes the Black Dog
2004  The Passage
2005  Blue Cha Cha
2005  The Shoe Fairy
2007  Help Me, Eros
2007  Summer's Tail
2008  Orz Boyz
2010  Ku Ma
2012  No Form
2012  The Third Wish
2012  Walker
2012  Westgate Tango
2014  Journey to the West
2014  Stray Dogs
2015  Afternoon
2015  No No Sleep
2016  Single Belief
2017  Cloudy
2018  Dear Ex
2021  I Missed You
2022  Fantasy · World
2022  Hello! Tapir

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TV Performances

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TV Production

Editor:
2018  Utopia for The 20s
2022  Women in Taipei

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.