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Erin Palmer

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Biography from TheMovieDB

Erin Palmer earned a BFA in Technical Theatre and Design. Then expanded her career from Theatre, to Festivals, Live Events, Music Concerts, Cirque du Soleil, and Film & Television. The variety of background gave opportunity to work in several countries. Erin Palmer is most known for lighting and electrical work on The Expanse, Star Trek: Discovery and Fubar. She is also known for art department - props and miniatures work on Avatar, The Chronicles of Narnia: Prince Caspian and Halo: Landfall.

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Additional information:

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Film Production

Best Boy Electric:
2018  He's Out There

Lighting Technician:
2018  He's Out There
2021  Nightbooks
2022  Luckiest Girl Alive

Prop Maker:
2009  Avatar
2018  He's Out There
2021  Nightbooks
2022  Luckiest Girl Alive

Props:
2007  Halo: Landfall
2009  Avatar
2018  He's Out There
2021  Nightbooks
2022  Luckiest Girl Alive

Set Runner:
2007  Halo: Landfall
2009  Avatar
2018  Cirque du Soleil: KURIOS - Cabinet des curiosités
2018  He's Out There
2021  Nightbooks
2022  Luckiest Girl Alive

Sets & Props Artist:
2007  Halo: Landfall
2007  The Water Horse
2008  The Chronicles of Narnia: Prince Caspian
2009  Avatar
2018  Cirque du Soleil: KURIOS - Cabinet des curiosités
2018  He's Out There
2021  Nightbooks
2022  Luckiest Girl Alive

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TV Production

Lighting Technician:
2015  The Expanse
2017  Star Trek: Discovery
2018  Star Trek: Short Treks
2019  The Umbrella Academy
2021  The Expanse: One Ship
2023  FUBAR

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.