A work in constant progress (and occasional regress).
Birthplace:
Caracas, Venezuela
Born in Caracas, Venezuela, and raised between Paris, Mexico and London. Harry first studied Social Communications with a specialization in Audiovisual Arts at Universidad Católica Andrés Bello in Caracas and worked for many years in Production and as Assistant Director in a number of films and commercials. As he started to write and direct his own projects, he decided to move to the UK to study a MA in Filmmaking at The London Film School, where he focused mainly on Direction and Cinematography. He obtained his Masters with Distinction in the summer of 2015 with his film Bird Songs from Amazonia. He is now living in Paris where he has also obtained a MA in Theory, Aesthetic and Memory of Cinema at the Université Paris 8 Vincennes-Saint-Denis and he is working on his next short films and also writing his first feature film.
Director:
2014 Part of the Flow
2016 Bird Songs from Amazonia
2018 Sueñambulismo
2020 Bea
First Assistant Director:
2014 Part of the Flow
2015 A Bite To Eat
2016 Bird Songs from Amazonia
2016 Ruptures (or André and Gabriel)
2018 Sueñambulismo
2020 Bea
Production Assistant:
2013 Cuidado con lo que sueñas
2014 Part of the Flow
2015 A Bite To Eat
2016 Bird Songs from Amazonia
2016 Ruptures (or André and Gabriel)
2018 Sueñambulismo
2020 Bea
Screenplay:
2013 Cuidado con lo que sueñas
2014 Part of the Flow
2015 A Bite To Eat
2016 Bird Songs from Amazonia
2016 Ruptures (or André and Gabriel)
2018 Sueñambulismo
2020 Bea
Sound Designer:
2013 Cuidado con lo que sueñas
2014 Part of the Flow
2015 A Bite To Eat
2016 Bird Songs from Amazonia
2016 Ruptures (or André and Gabriel)
2018 Sueñambulismo
2020 Bea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.