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Kirsten Foe

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Birthplace:
Long Beach, , California, USA

Biography from TheMovieDB

Kirsten Foe is a triple threat: writer, director, and full-throttle stunt woman. Whether she's choreographing bone-crunching fight scenes or scripting emotionally charged drama, she brings fearless creativity to every frame. Her work has lit up fan-favorite series like Twin Peaks, The Affair, and Grimm, and she’s doubled for powerhouses like Cobie Smulders, Alison Brie, Ruth Wilson, and Heidi Klum—often behind the wheel, on a motorcycle, or mid-air in a perfectly timed takedown.  From stunt driving to storytelling, Kirsten thrives where adrenaline meets artistry. She splits her time between the sunny, surf-soaked streets of Marina del Rey and a quiet farm near Sun Valley, Idaho.

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Additional information:

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Film Performances

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Film Production

Director:
2025  Off the Record

Producer:
2025  Off the Record

Stunt Driver:
2014  The Dark Place
2019  The Art of Racing in the Rain
2025  Off the Record

Stunts:
2014  The Dark Place
2019  The Art of Racing in the Rain
2020  Unpregnant
2025  Off the Record

Writer:
2014  The Dark Place
2019  The Art of Racing in the Rain
2020  Unpregnant
2025  Off the Record

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TV Performances

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TV Production

Stunt Double:
2014  The Librarians
2020  Three Busy Debras

Stunts:
2011  Grimm
2014  The Librarians
2020  Three Busy Debras

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.