A work in constant progress (and occasional regress).
Birthplace:
Wellington, New Zealand
Born in Wellington, New Zealand and raised in Edmonton, Alberta, Dylan Rhys Howard is an independent filmmaker whose work has been described by the National Screen Institute as “fresh, nuanced storytelling and imagery that is evocative in its simplicity and intimacy.” In 2018, his short film Peak Oil was selected to be a part of Telefilm Canada’s Not Short On Talent program and screened at the Marché Du Film Court at the Clermont-Ferrand International Short Film Festival in France. Peak Oil also received an Alberta Motion Picture Industries Association award for Best Narrative Short and the A&E Short Filmmakers Award for Best Film at the National Screen Institute. His debut broadcast documentary, Digging In The Dirt, a one-hour documentary about depression and suicide in Alberta’s oil and gas sector, co-directed with Omar Mouallem, premiered on CBC Television in September 2019 and was featured in Hot Docs’ Spotlight Alberta series in early 2021. His latest documentary as writer/producer/director, Boys Will Be...Themselves, premiered on CBC Gem in October 2022. The Lebanese Burger Mafia, a feature-length documentary produced by Rhys Howard and directed by Mouallem, had its world premiere at Hot Docs in 2023 where it was immediately picked up for distribution by levelFilm, subsequently played in theatres across Canada, and is now streaming on Paramount+. Concurrently, the slow-burn independent drama Hands That Bind, directed by Kyle Armstrong, associate produced by Rhys Howard, and starring Paul Sparks, Susan Kent, and Bruce Dern, also landed in Canadian theatres via Mongrel Media. Rhys Howard's debut feature film as writer/director, Eudaimonia, has been picked up for distribution by IndieCan Entertainment’s brand new subsidiary Pride Pictures, and is set to start its festival run in the spring of 2024.
Assistant Director:
2018 Until First Light
Associate Producer:
2018 Until First Light
2021 Hands That Bind
Camera Operator:
2017 Older Than What?
2018 Until First Light
2021 Hands That Bind
2024 Making Kayfabe
Cinematography:
2017 Older Than What?
2018 Until First Light
2021 Hands That Bind
2024 Making Kayfabe
???? Cricket
Director:
2017 Older Than What?
2018 Until First Light
2019 Digging in the Dirt
2021 Hands That Bind
2024 Eudaimonia
2024 Making Kayfabe
???? Cricket
Executive Producer:
2017 Older Than What?
2018 Until First Light
2019 Digging in the Dirt
2021 Hands That Bind
2024 Eudaimonia
2024 Making Kayfabe
???? Cricket
Producer:
2017 Older Than What?
2018 Until First Light
2019 Digging in the Dirt
2021 Hands That Bind
2021 The Last Baron
2023 The Lebanese Burger Mafia
2024 Eudaimonia
2024 Magic Hours
2024 Making Kayfabe
???? Cricket
???? Drier Down Here
Writer:
2017 Older Than What?
2018 Until First Light
2019 Digging in the Dirt
2021 Hands That Bind
2021 The Last Baron
2023 The Lebanese Burger Mafia
2024 Eudaimonia
2024 Magic Hours
2024 Making Kayfabe
???? Cricket
???? Drier Down Here
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.