A work in constant progress (and occasional regress).
Additional Director of Photography:
1981 Max Frisch, Journal I-III
1986 Seven Minutes in Heaven
Camera Operator:
1981 Max Frisch, Journal I-III
1986 Seven Minutes in Heaven
1997 In der glanzvollen Welt des Hotel Adlon
Cinematography:
1978 The Yellow Wallpaper
1981 Max Frisch, Journal I-III
1986 Seven Minutes in Heaven
1988 The Uncompromising Revolution
1993 An Ambush of Ghosts
1997 In der glanzvollen Welt des Hotel Adlon
Director:
1978 The Yellow Wallpaper
1981 Max Frisch, Journal I-III
1986 Seven Minutes in Heaven
1988 The Uncompromising Revolution
1993 An Ambush of Ghosts
1997 In der glanzvollen Welt des Hotel Adlon
2006 Cine Manifest
Director of Photography:
1978 Northern Lights
1978 The Yellow Wallpaper
1978 What Can I Tell You
1980 Free Voice of Labor: The Jewish Anarchists
1980 Nicholas and the Baby
1980 Steppin'
1981 Max Frisch, Journal I-III
1981 The Willmar 8
1982 Seguin
1983 In the King of Prussia
1986 Seven Minutes in Heaven
1987 Working Girls
1988 Calling the Shots
1988 The Uncompromising Revolution
1990 LifeStories: Steve Burdick
1990 Yuma Crossing
1993 An Ambush of Ghosts
1993 Grandfather Sky
1993 Gregory K
1994 Override
1997 In der glanzvollen Welt des Hotel Adlon
1999 The Settlement
2006 Cine Manifest
Producer:
1978 Northern Lights
1978 The Yellow Wallpaper
1978 What Can I Tell You
1980 Free Voice of Labor: The Jewish Anarchists
1980 Nicholas and the Baby
1980 Steppin'
1981 Max Frisch, Journal I-III
1981 The Willmar 8
1982 Seguin
1983 In the King of Prussia
1986 Seven Minutes in Heaven
1987 Working Girls
1988 Calling the Shots
1988 The Uncompromising Revolution
1990 LifeStories: Steve Burdick
1990 Yuma Crossing
1993 An Ambush of Ghosts
1993 Grandfather Sky
1993 Gregory K
1994 Override
1997 In der glanzvollen Welt des Hotel Adlon
1999 The Settlement
2006 Cine Manifest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.