David J. Cork

Alias:
David Cork
David J Cork
David Jay Cork

Birthplace:
Indianapolis, Indiana, USA

David J. Cork is an actor, writer, singer and film maker from Indianapolis, Indiana. As a child, David was a member of the Indianapolis Children's Choir, allowing him to sing at Carnegie Hall and the Sydney Opera House at an early age. Once at Broad Ripple High School, David began exploring acting and soon after started performing in community theater. David began his college career at Clark Atlanta University in Atlanta, Georgia. Midway though his second year, he transferred to New York University's Tisch School of the Arts where he completed his BFA in Acting. Since arriving in New York City, David has not only appeared in numerous commercials, plays, television shows, and movies, but became a pioneer in actors creating their own work. His first written work, Bi: The Webseries, featured David as the lead role and received public attention once featured in publications like The Huffington Post, NBC OUT and Now This. Since then, David has gone on to appear in more productions including Gun Hill (BET), Mapplethorpe (HULU), The Breeding (HBO NYLFF 2018), WuTang: An American Saga (HULU), City on a Hill (SHOWTIME), and was a member of ABC’s Discover Showcase in 2019. David has made it his mission to take on and create work that is connected to further exploring the complexities of Black men and people of color. David is currently in post production on No Homo | No Hetero, a documentary exploring the lives of sexually fluid black men and recently began making strides as an HIV/AIDS activist, working to create community events evoking Black “pozitivity.” It is through his art and service that David strives to connect all of humanity to the beauty their vulnerability.

Additional information:

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Co-Producer:
2021  Ellis by Himself

Producer:
2021  Ellis by Himself
2022  Nana's Boys

Writer:
2021  Ellis by Himself
2022  Nana's Boys

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.