Johan Renck (b. 1966)

Alias:
Stakka Bo

Birthplace:
Uppsala, Sweden

Born:
December 5, 1966

Johan Renck is one of the most respected and sought after directors of commercials and music videos today, so much so that the French magazine CB News dubbed him "the number one director of commercials and music videos in the world ". His directing career started in 1992 when he joined the production company Mekano Film and Television in Stockholm, Sweden. In 1994 he left Mekano to join forces with childhood friend director Jonas Åkerlund. They established a new production company, Renck Åkerlund Films, which immediately became one of the leaders of its kind in Sweden. During the same time he worked with his music project, Stakka Bo, with big success and a lot of his time was occupied by the music career. In 1997 he started to work as a director full time and quickly became a well-known name worldwide and in 1999 he was working with Madonna and Nike among others.

Additional information:

The Search Form


Director:
2008  Downloading Nancy
2014  The Fat and the Angry
2024  Spaceman
????  Amo Saddam

Executive Producer:
2008  Downloading Nancy
2014  The Fat and the Angry
2024  Spaceman
????  Amo Saddam

Producer:
2008  Downloading Nancy
2014  The Fat and the Angry
2024  Spaceman
????  Amo Saddam
????  Rouge

Thanks:
2000  Naked
2008  Downloading Nancy
2014  The Fat and the Angry
2017  Stella Erratica
2024  Spaceman
????  Amo Saddam
????  Rouge

Co-Executive Producer:
2019  Chernobyl

Director:
2008  Breaking Bad
2010  The Walking Dead
2013  Bates Motel
2013  Vikings
2014  Halt and Catch Fire
2015  Bloodline
2015  The Last Panthers
2019  Chernobyl

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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