Antje Boehmert

Since 2000, Antje Boehmert has worked as researcher, director and producer collaborating on a variety of documentary films and factual programs - most of them international co-productions for clients both in North America and in Europe. She helms Berlin- and Cologne-based indie DOCDAYS Productions. With her team of producers and researchers, Antje focuses on topical docs from the fields of Science, History, Culture and Current Affairs. For her work as a producer, Antje was awarded with Germany's Grimme Award.

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Co-Producer:
2013  Sepideh

Executive Producer:
2013  Sepideh
2015  AGFA 1939. Journey Into War
2017  No Country for the Poor
2017  Poor Europe
2022  Verhängnisvolle Versprechen: Das nigerianische Netzwerk

Producer:
2012  Call Me Iggy
2013  Sepideh
2014  The Bloody Truth
2015  AGFA 1939. Journey Into War
2015  Projections of America
2017  No Country for the Poor
2017  Poor Europe
2018  Empire of Mirrors
2020  Loveparade: The Trial
2020  Mirror, Mirror on the Wall
2020  Sie nannten sie die Kinder der Schande
2022  Verhängnisvolle Versprechen: Das nigerianische Netzwerk
2023  Der giftige Himmel von Tarent: Chronik einer geduldeten Umwelt-Katastrophe
2023  Lviv - A Hospital in Wartime
2024  Inside Zaporizhzhia - A Nuclear Power Plant in the Midst of War
2024  Long Distance Swimmer: Sara Mardini
2025  Mädchen können kein Fußball spielen

Writer:
2012  Call Me Iggy
2013  Sepideh
2014  The Bloody Truth
2015  AGFA 1939. Journey Into War
2015  Projections of America
2017  No Country for the Poor
2017  Poor Europe
2018  Empire of Mirrors
2020  Loveparade: The Trial
2020  Mirror, Mirror on the Wall
2020  Sie nannten sie die Kinder der Schande
2022  Verhängnisvolle Versprechen: Das nigerianische Netzwerk
2023  Der giftige Himmel von Tarent: Chronik einer geduldeten Umwelt-Katastrophe
2023  Lviv - A Hospital in Wartime
2024  Inside Zaporizhzhia - A Nuclear Power Plant in the Midst of War
2024  Long Distance Swimmer: Sara Mardini
2025  Mädchen können kein Fußball spielen

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.