Jamie Morton

Jamie Morton is one of the most sought-after creatives in British production, having worked on some of the UK’s most successful television formats including four seasons of The Apprentice (BBC) and two seasons of Simon Cowell’s The X Factor (ITV). Throughout his career, Morton has has been at the forefront of the digital revolution in broadcasting, creating groundbreaking and innovative content including Channel 4's cross platform youth campaigning series Battlefront II which won the International Emmy award, YouTube’s first ever live-streamed entertainment series The Fox Problem (nominated for 3 Broadcast Digital Awards) and the BAFTA Games nominated I Am Playr.  Morton has also worked on some of the BBCs most prestigious drama series including the Royal Television Society award winning Being Human and Best Drama Series BAFTA winnerThe Fades. He has edited over 20 documentaries for the VICE television network as well as episodes for BBC3’s most successful new show Eating With My Ex. Continuing the boundary pushing form which saw him produce content for social giants such as Facebook, Bebo and YouTube, Morton created the UK’s most successful podcast in history when his retired father decided to write erotica in the garden shed. My Dad Wrote A Porno has become a ‘global word-of-mouth sensation’ (The Hollywood Reporter), amassing over 80 million downloads worldwide, spawning a best-selling book, nominations at both the Webby and British Radio Academy Awards, and converting Hollywood megastars Elijah Wood, Emma Thompson and Daisy Ridley into mega-fans. Morton has performed the critically acclaimed My Dad Wrote A Porno live show to sell-out audiences the world over, from the Edinburgh fringe to Montreal’s Just for Laughs comedy festival and at iconic venues such as the Sydney Opera House and London’s Royal Festival Hall.

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Executive Producer:
2019  My Dad Wrote a Porno

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.