A work in constant progress (and occasional regress).
David Longstreth (born December 17, 1981) is an American singer and songwriter. He is the lead singer and guitarist for the band Dirty Projectors. Longstreth was born in Southbury, Connecticut. Longstreth attended Yale University and majored in music shortly before dropping out halfway through his second year. He stated that "he rarely ventured out of his dorm room. He found himself completely absorbed in making his own music, though there wasn’t really anyone to play it for." After dropping out, he moved in with his brother in Portland, Oregon, and worked on his first album, The Graceful Fallen Mango, which he released in 2002. Shortly after completing the album, Longstreth returned to Yale to finish his degree and began making music under the Dirty Projectors title. He proceeded to record multiple records under the name during his time at Yale. In 2015, he contributed to "FourFiveSeconds," a collaborative song by Rihanna, Kanye West, and Paul McCartney. That same year, he composed a classical composition called "Michael Jordan." It was composed for the New York group Ensemble LPR. He also contributed to the orchestral arrangement for the song "Time, As a Symptom" on the album Divers by American musician Joanna Newsom. In 2016, he produced the album Azel by Nigerien musician Bombino and collaborated on the Solange release, A Seat at the Table. In January 2025, he released a David Berman covers EP. Longstreth is the younger brother of American painter, musician, and internet radio personality Jake Longstreth. Description above from the Wikipedia article David Longstreth, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2012 Hi Custodian
Music:
2012 Hi Custodian
2020 Earth Crisis
Original Music Composer:
2012 Hi Custodian
2020 Earth Crisis
2025 Love Me
2025 The Legend of Ochi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.