Rodrigo Duque Estrada

Alias:
Rodrigo D. E. Campos

Birthplace:
Rio de Janeiro, Brazil

Rodrigo had his first experience with scripts working as a radio announcer when he was still 17 and living in Brazil. Back then, he had to write the scripts for the programmes he presented, as well as the commercials he advertised during the show. When he entered university to study International Relations, as there was more access to audiovisual media, he began to create scripts and produce some institutional videos for the course and the university. In addition, during the course, although he was very interested in issues related to international politics, he felt that all academic production was very restricted to a small group and that the population didn't have access to it. So he scripted, directed and produced his first documentary with his friend Renatho Costa, about Western Sahara, ‘A Thread of Hope: Independence or War in Western Sahara’, in 2017. Then, while studying for his master's degree, he scripted, directed and produced his first short film, called ‘The things I wrote in the margins of the book you gave me’, in 2019. He also scripted, produced and directed a documentary about the rise of the far right in Brazil and their ambitions to change the country's education system, called ‘Escola sem censura’, in 2018. The documentary was very controversial, as it premiered when President Bolsonaro was in office, and he is one of the main exponents of the far right in the world.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.