A work in constant progress (and occasional regress).
Assistant Sound Editor:
2013 Dallas Buyers Club
Editor:
2012 Le Chevreuil
2013 Dallas Buyers Club
Sound:
2012 Le Chevreuil
2013 Dallas Buyers Club
2014 Fucké
2018 Prouve-le
2021 Big Brother
2023 La suite canadienne
Sound Designer:
2012 Le Chevreuil
2013 Dallas Buyers Club
2014 Fucké
2018 Prouve-le
2019 Lunar-Orbit Rendezvous
2019 Une bombe au coeur
2020 Foam
2021 Big Brother
2021 Resources
2021 The Music Lesson
2022 Nut Jobs
2023 Jusqu'à ce que tu meures
2023 La suite canadienne
2023 Mamita
2023 Mothers and Monsters
2024 Hunting Daze
???? Gender Reveal
???? Sylvie en liberté
Sound Editor:
2012 Le Chevreuil
2013 Dallas Buyers Club
2014 Fucké
2017 Ravenous
2018 Prouve-le
2018 The Fireflies Are Gone
2019 Forgotten Flowers
2019 Kuessipan
2019 Lunar-Orbit Rendezvous
2019 Une bombe au coeur
2020 Foam
2020 Pompei
2020 The Decline
2020 The Lodge
2020 The PhD
2021 Big Brother
2021 Drunken Birds
2021 Dune Dreams
2021 Resources
2021 The Music Lesson
2022 A Night Song
2022 Nut Jobs
2023 Jusqu'à ce que tu meures
2023 La suite canadienne
2023 Mamita
2023 Mothers and Monsters
2024 Hunting Daze
2024 The Watchers
???? Gender Reveal
???? Sylvie en liberté
Sound Effects Editor:
2012 Le Chevreuil
2013 Dallas Buyers Club
2014 Fucké
2017 Gnome Alone
2017 Ravenous
2018 Charming
2018 Prouve-le
2018 The Fireflies Are Gone
2019 Forgotten Flowers
2019 Kuessipan
2019 Lunar-Orbit Rendezvous
2019 Une bombe au coeur
2020 Foam
2020 Pompei
2020 The Decline
2020 The Lodge
2020 The PhD
2021 Big Brother
2021 Drunken Birds
2021 Dune Dreams
2021 Resources
2021 The Music Lesson
2022 A Night Song
2022 Nut Jobs
2023 Jusqu'à ce que tu meures
2023 La suite canadienne
2023 Mamita
2023 Mothers and Monsters
2024 Hunting Daze
2024 The Watchers
???? Gender Reveal
???? Sylvie en liberté
Sound Mixer:
2012 Le Chevreuil
2013 Dallas Buyers Club
2014 Fucké
2017 Gnome Alone
2017 Ravenous
2018 Charming
2018 Prouve-le
2018 The Fireflies Are Gone
2019 Forgotten Flowers
2019 Kuessipan
2019 Lunar-Orbit Rendezvous
2019 Une bombe au coeur
2020 Foam
2020 Pompei
2020 The Decline
2020 The Lodge
2020 The PhD
2021 Big Brother
2021 Drunken Birds
2021 Dune Dreams
2021 Resources
2021 The Music Lesson
2022 A Night Song
2022 Nut Jobs
2023 Jusqu'à ce que tu meures
2023 La suite canadienne
2023 Mamita
2023 Mothers and Monsters
2023 irlande cahier bleu
2024 Hunting Daze
2024 The Watchers
???? Gender Reveal
???? Sylvie en liberté
Writer:
2012 Le Chevreuil
2013 Dallas Buyers Club
2014 Fucké
2017 Gnome Alone
2017 Ravenous
2018 Charming
2018 Prouve-le
2018 The Fireflies Are Gone
2019 Forgotten Flowers
2019 Kuessipan
2019 Lunar-Orbit Rendezvous
2019 Une bombe au coeur
2020 Foam
2020 Pompei
2020 The Decline
2020 The Lodge
2020 The PhD
2021 Big Brother
2021 Drunken Birds
2021 Dune Dreams
2021 Resources
2021 The Music Lesson
2022 A Night Song
2022 Nut Jobs
2023 Jusqu'à ce que tu meures
2023 La suite canadienne
2023 Mamita
2023 Mothers and Monsters
2023 irlande cahier bleu
2024 Hunting Daze
2024 The Watchers
???? Gender Reveal
???? Sylvie en liberté
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.