A work in constant progress (and occasional regress).
Marnie Ellen Hertzler is a video artist, animator, and filmmaker living and working in Baltimore, MD. Her films and animations often explore a multi-media approach to film presentation and distribution and has utilized live performance, installation, and web design to accompany her work. Her films have screened at Locarno Film Festival, Rotterdam International Film Festival, MoMA, and more. In 2018 Marnie was named one of Filmmaker Magazine's 25 New Faces of Independent Film. Influenced by her background in both psychology and fine arts, she creates films that act as cinematic platforms for the exploration of interpersonal relationships, the technology that defines us, and the inevitable end of it all.
Director:
2017 Growing Girl
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
Editor:
2017 Growing Girl
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
Producer:
2017 Growing Girl
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
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Production Design:
2016 Rat Film
2017 Growing Girl
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
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Screenplay:
2016 Rat Film
2017 Growing Girl
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
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Set Designer:
2016 Rat Film
2017 Growing Girl
2017 Sollers Point
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
???? MyToeShoes.Com
Thanks:
2016 Rat Film
2017 Growing Girl
2017 Sollers Point
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2020 Crestone
2021 Ben & Fred, October 2020
???? MyToeShoes.Com
Writer:
2016 Rat Film
2017 Growing Girl
2017 Sollers Point
2018 Hi I Need to Be Loved
2019 Dirt Daughter
2019 Tux and Fanny
2020 Crestone
2021 Ben & Fred, October 2020
???? MyToeShoes.Com
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.