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Eric Hayden

Alias:
Xiao Tian

Biography from TheMovieDB

Eric Hayden is a Visual Effects Supervisor at FuseFX. A VES award and HPA award nominee, he has been in the industry for nearly 20 years, bringing to the FuseFX team a diverse skill set that encompasses television, features, and commercials. His recent and noteworthy projects include Empire, Designated Survivor, Criminal Minds, Criminal Minds: Beyond Borders, Hell on Wheels, and American Horror Story.  Eric began his career as a model builder and puppeteer. Eric worked with Stan Winston and Steven Spielberg on A.I. Artificial Intelligence Terminator 3: Rise of the Machines, as well as with Sam Raimi as Puppet Master on Spider-Man 2 – bringing Doctor Octopus’ mechanical arms to life. He made the transition to the digital side in 2008 and found ready application for his artistic and problem-solving talents as a compositor. As a VFX Supervisor, Eric works both in the studio and on set, and enjoys collaborating with directors, cinematographers, editors and others in designing and planning complex visuals.  He also wrote and directed the 2013 sci-fi feature Astronaut: The Last Push.

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Additional information:

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Film Production

Compositor:
2013  Dark Skies

Director:
2012  Astronaut: The Last Push
2013  Dark Skies

Special Effects Technician:
2002  Spider-Man
2012  Astronaut: The Last Push
2013  Dark Skies

Visual Effects Supervisor:
2002  Spider-Man
2012  Astronaut: The Last Push
2013  Dark Skies
2015  W.M.D.
2019  Deadwood: The Movie

Writer:
2002  Spider-Man
2012  Astronaut: The Last Push
2013  Dark Skies
2015  W.M.D.
2019  Deadwood: The Movie

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.