A work in constant progress (and occasional regress).
Dialogue Editor:
2020 Greyhound
Mix Technician:
2019 Once Upon a Time... in Hollywood
2020 Greyhound
2023 Splinter
Sound Designer:
2013 Werewolf in a Girl's Sorority
2019 Once Upon a Time... in Hollywood
2020 Greyhound
2021 Terrordactyl: Extinction USA
2023 Splinter
Sound Mix Technician:
2013 Werewolf in a Girl's Sorority
2019 Once Upon a Time... in Hollywood
2020 Greyhound
2021 Terrordactyl: Extinction USA
2023 Splinter
2024 Sunflower
Sound Mixer:
2013 Werewolf in a Girl's Sorority
2019 Once Upon a Time... in Hollywood
2020 Greyhound
2021 Terrordactyl: Extinction USA
2023 Splinter
2024 Sunflower
2024 Technicians
Sound Re-Recording Mixer:
2013 Werewolf in a Girl's Sorority
2019 3 from Hell
2019 Once Upon a Time... in Hollywood
2020 Greyhound
2021 Terrordactyl: Extinction USA
2023 Splinter
2024 Sunflower
2024 Technicians
Sound Recordist:
2013 Werewolf in a Girl's Sorority
2019 3 from Hell
2019 Once Upon a Time... in Hollywood
2019 The Weekend
2020 Greyhound
2021 Terrordactyl: Extinction USA
2023 Splinter
2024 Sunflower
2024 Technicians
Supervising Sound Editor:
2010 Bear Force One
2013 Werewolf in a Girl's Sorority
2019 3 from Hell
2019 Once Upon a Time... in Hollywood
2019 The Weekend
2020 Greyhound
2021 Terrordactyl: Extinction USA
2023 Splinter
2024 Sunflower
2024 Technicians
Sound Mix Technician:
2020 I Am Not Okay with This
Sound Re-Recording Mixer:
2020 I Am Not Okay with This
2022 Surface
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.