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Brent Hill

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Biography from TheMovieDB

Training: Curtin University, Bachelor of Arts (Performing Arts), 2004; Western Australian Academy of Performing Arts (Acting), 2008; École Philippe Gaulier (Le Jeu), 2013. Theatre: Dewey Finn in School of Rock (GWB Entertainment/Really Useful Group); The Resistible Rise of Arturo Ui, Mel Stanwick in Chimerica (Sydney Theatre Company); Lord Goring in An Ideal Husband, Ben in Vivid White, Chip in The Speechmaker (Melbourne Theatre Company); Matt/Homer in Mr. Burns: A Post-Electric Play (Belvoir Street Theatre); simultaneously Seymour/Audrey II in Little Shop of Horrors (Luckiest Productions/Tinderbox Productions); Once – Seoul Tour (Once UK); A Funny Thing Happened on the Way to the Forum, Svec in Once (Gordon Frost Organisation); The Director in Jerry’s Girls, Sergeant of Police in The Pirates of Penzance, Leo Bloom in The Producers (The Production Company); Jesus Christ in Dreamsong (MICF); Bernard (x3) in A Number (Perth Theatre Company); Maria in Twelfth Night (Bell Shakespeare Company); Cassius in Julius Caesar (Cry Havoc); Lonny in Rock of Ages (New Theatricals); The Distance From Here (Griffin Theatre Company); Composer for Risky Lunar Love (504 Productions); The Happy Ending (Cry Havoc); Improviser with The Big HooHaa (Cut Snake Comedy). Television: Leslie in Donnatelegrams (ABC), Laid (ABC), It’s a Date (ABC). Film: Doug in Your Call is Important to Us (Riley Nottingham/ T.J. Power). Awards: Helpmann Award® for Best Male Actor in a Musical – School of Rock, 2019; Green Room Award for Male Artist in a Leading Role – School of Rock, 2018; Sydney Theatre Award: Judith Johnson Award for Best Performance by a Male Actor in a Musical – Little Shop of Horrors, 2016; Green Room Award for Male Artist in a Leading Role – Rock of Ages, 2011; National Theatresports Champion, 2009; Cranston Cup Theatresports Champion, 2010; Actors Equity Guild Award for Best Newcomer, 2005.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.