Shirley Bruno (b. 1980)

Gallery Unavailable

Birthplace:
New York, New York, U.S.

Born:
January 1, 1980

A Haitian-American filmmaker and artist, Shirley Bruno's films take their point of departure from neglected histories as well as from rumors, dreams, superstitious beliefs, memories both real and imagined.  Shirley's work has screened nationally and internationally at major festivals and contemporary art exhibitions. Her films Tezen and An Excavation of Us are included in the permanent collections of Centre National des Arts Plastiques France, Leal Rios Foundation Lisbon, and Vidéographe Montréal. Exhibitions and screenings of her work have presented at Locarno International Film Festival, Hammer Museum, MoMA, Montréal arts interculturels, La Galerie Municipale Vitry de Jean Collet, Villa Médici Rome, Palais de Tokyo, Maison Européenne de la Photographie among others. A recipient of the Jerome Hill Artist Fellowship (2019-21) and the Creative Capital Award (2021), other funding and prizes for her work include the Abrons Arts Center, Triangle-Astérides, Prix Ars Electronica, Jerome Foundation, National Greek Film Centre, NYSCA, NYFA, StudioPrix Collector Prize. Her films continue to screen internationally on TV5Monde, Tënk, and Shorts TV International. She is an alumna of La Cité International des Arts & LIM Le Groupe Ouest Lab for her feature film debut Just Come \\ Been To, as well as the Berlinale Talent Station for her latest project Saltwater Heart, a large scale video-installation and film in development.  Shirley holds a Masters with Distinction from London Film School and a Masters II with Mention from Le Fresnoy - Studio National des Arts Contemporains where she was an artist-fellow. She lives and works alternately in New York, France, and Haiti.

Additional information:

The Search Form


Director:
2016  Tezen
2017  An Excavation of Us

Director of Photography:
2016  Tezen
2017  An Excavation of Us

Editor:
2016  Tezen
2017  An Excavation of Us

Producer:
2016  Tezen
2017  An Excavation of Us

Writer:
2016  Tezen
2017  An Excavation of Us

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.