A work in constant progress (and occasional regress).
Birthplace:
Urbana, Illinois, USA
Born:
March 31, 1942
Died:
February 19, 2022
Daniel Graham (March 31, 1942 – February 19, 2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Additional Photography:
1992 Two-Way Mirror Cylinder Inside Cube and a Video Salon
Creator:
1992 Two-Way Mirror Cylinder Inside Cube and a Video Salon
Director:
1969 Sunset to Sunrise
1972 Past Future Split Attention
1975 Performer/Audience/Mirror
1980 Local TV News Analysis
1984 Rock My Religion
1992 Two-Way Mirror Cylinder Inside Cube and a Video Salon
2005 Death by Chocolate: West Edmonton Shopping Mall (1986-05)
Producer:
1969 Sunset to Sunrise
1972 Past Future Split Attention
1975 Performer/Audience/Mirror
1980 Local TV News Analysis
1984 Rock My Religion
1992 Two-Way Mirror Cylinder Inside Cube and a Video Salon
2005 Death by Chocolate: West Edmonton Shopping Mall (1986-05)
Writer:
1969 Sunset to Sunrise
1972 Past Future Split Attention
1975 Performer/Audience/Mirror
1980 Local TV News Analysis
1984 Rock My Religion
1992 Two-Way Mirror Cylinder Inside Cube and a Video Salon
2005 Death by Chocolate: West Edmonton Shopping Mall (1986-05)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.