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Jimmy Hendrickx (b. 1979)

Birthplace:
Belgium

Born:
July 27, 1979

Biography from TheMovieDB

Jimmy Hendrickx has a Master degree in Visual arts from the School of Arts in Ghent where he also taught editing. In 2013 he moved to Asia to work on his documentary productions. His first short Semalu (2013) about abandoned children on a construction site in Malaysia earned Best Film at the Tabor Film Festival in Croatia. His mid length feature A Punk Daydream (2019) about street punk in Indonesia, premiered at IFFR Rotterdam, followed by HOTDOCS, Warshaw and many other festivals. His feature film Slave Island (2025) had its world premiere at Movies That Matter in the Netherlands. Jimmy has a keen interest in cultures in transition.

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Additional information:

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Film Production

Cinematography:
2025  Slave Island

Director:
2019  A Punk Daydream
2021  The Making of Memories for the Future
2025  Slave Island

Editor:
2019  A Punk Daydream
2021  The Making of Memories for the Future
2025  Slave Island

Executive Producer:
2019  A Punk Daydream
2021  The Making of Memories for the Future
2025  Slave Island

Screenplay:
2019  A Punk Daydream
2021  The Making of Memories for the Future
2025  Slave Island

Writer:
2019  A Punk Daydream
2021  The Making of Memories for the Future
2025  Slave Island

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.