Michael Stevantoni

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Michael Stevantoni is a filmmaker born and raised in Campbell River, British Columbia, currently residing in Los Angeles.  Michael is a graduate from Chapman University with a BFA in Film Production. After directing a number of award winning short films, he wrote, directed, and co-produced his first feature film Salton Sea in 2017. The film premiered at the Blow-Up Chicago International Arthouse Film Festival where it won awards including the Stanley Kubrick Award for Best Feature. Salton Sea also received nominations at the Milan International Film Festival, won Best Feature at the Nacogdoches Film Festival. Michael's latest feature, The Banality, is in the late stages of post-production and will premiere in 2023. Michael is based in Los Angeles where he production designs, directs music videos and is developing his next feature.

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Director:
2018  Salton Sea
2022  The Banality

Producer:
2018  Salton Sea
2022  The Banality

Production Design:
2016  The Death of Language
2018  A Snake Gone Through the House
2018  Salton Sea
2020  Pop Verve
2021  The Cleaner
2022  The Banality

Screenplay:
2016  The Death of Language
2018  A Snake Gone Through the House
2018  Salton Sea
2020  Pop Verve
2021  The Cleaner
2022  The Banality

Set Decoration:
2016  The Death of Language
2018  A Snake Gone Through the House
2018  Salton Sea
2020  Pop Verve
2021  The Cleaner
2022  The Banality
????  Nothingman

Writer:
2016  The Death of Language
2018  A Snake Gone Through the House
2018  Salton Sea
2020  Pop Verve
2021  The Cleaner
2022  The Banality
????  Nothingman

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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