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Hunter Hoffman

Biography from TheMovieDB

Hunter Hoffman is an actor/writer/musician based out of New York City and graduate of The Neighborhood Playhouse. Hunter most recently played the role of "Will Shakespeare" in New Stage Theatre's production of Shakespeare in Love and was also the understudy for the role of “Jason” in the Tony nominated, Pulitzer Prize winning Broadway production of Sweat by Lynn Nottage, directed by Kate Whorisky.  Other New York Credits include Troilus and Cressida (Shakespeare in The Park/Public Theater), Merchant of Venice (Gallery Players), Much Ado About Nothing, Romeo and Juliet (South Brooklyn Shakespeare), Golden Boy (Secret Theater), and Prince of Players (Little Opera Theatre of NY). Hunter also appeared as a stage fighter in the productions of Otello and Manon Lescaut at The Metropolitan Opera.  His film credits include Real Dreams (Big Apple Film Festival Selection), Hunting Season (Indie Series Awards – Best Ensemble Cast - Comedy), Cross Training: The Series (New York Short Film Festival Selection) and The Attraction of Nipples.  Alongside director, Blake Rice, and cast member, Ricky Ryan, Hunter is also co-host of The Cold Read Podcast, a weekly podcast where hosts write a brand new screenplay and invite special guests to come read the script, totally cold. The Cold Read is available on iTunes and Soundcloud.

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Film Performances

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Film Production

Writer:
2019  The Creeper's Curse

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.