A work in constant progress (and occasional regress).
Director:
2020 The Huddle
Mixing Engineer:
2020 Suole di vento - Storie di Goffredo Fofi
2020 The Huddle
Sound:
2018 Monte Amiata
2019 The Pace of Water
2020 Suole di vento - Storie di Goffredo Fofi
2020 The Huddle
2020 ZONA/
2023 Oceans Are the Real Continents
2023 Terra Nova, The Land of Long Shadows
2024 Daisy Bullet
Sound Designer:
2018 Monte Amiata
2019 Ferine
2019 Talking to Control
2019 The Pace of Water
2020 Suole di vento - Storie di Goffredo Fofi
2020 The Huddle
2020 Verdiana
2020 ZONA/
2021 Closing Time
2021 Playground
2021 un/Hook
2022 Happy New Year, Jim
2022 Inchei
2023 Eschaton Ad
2023 Negramaro Back Home - Ora so restare
2023 Oceans Are the Real Continents
2023 Pinoquo
2023 Terra Nova, The Land of Long Shadows
2023 The last slice of rainbow
2024 Daisy Bullet
2024 Food for Profit
Sound Editor:
2016 The Cormorants
2018 Blu
2018 Libellula gentile. Fabio Pusterla, il lavoro del poeta
2018 Monte Amiata
2019 Ferine
2019 Mud Road
2019 Talking to Control
2019 The Pace of Water
2020 Love is a Dog
2020 Suole di vento - Storie di Goffredo Fofi
2020 The Huddle
2020 The White Wall
2020 Verdiana
2020 ZONA/
2021 Closing Time
2021 Playground
2021 un/Hook
2022 Happy New Year, Jim
2022 Inchei
2023 Eschaton Ad
2023 Negramaro Back Home - Ora so restare
2023 Oceans Are the Real Continents
2023 Pinoquo
2023 Terra Nova, The Land of Long Shadows
2023 The last slice of rainbow
2024 Daisy Bullet
2024 Food for Profit
Sound Mix Technician:
2016 The Cormorants
2018 Blu
2018 Libellula gentile. Fabio Pusterla, il lavoro del poeta
2018 Monte Amiata
2019 Ferine
2019 Mud Road
2019 Talking to Control
2019 The Pace of Water
2020 Gli Atomici Fotonici
2020 Love is a Dog
2020 Suole di vento - Storie di Goffredo Fofi
2020 The Huddle
2020 The White Wall
2020 Verdiana
2020 ZONA/
2021 Closing Time
2021 Playground
2021 un/Hook
2022 Happy New Year, Jim
2022 Inchei
2023 Eschaton Ad
2023 Negramaro Back Home - Ora so restare
2023 Oceans Are the Real Continents
2023 Pinoquo
2023 Terra Nova, The Land of Long Shadows
2023 The last slice of rainbow
2024 Daisy Bullet
2024 Food for Profit
Sound Mixer:
2016 Anna Piaggi: Fashion Visionary
2016 The Cormorants
2018 Blu
2018 Libellula gentile. Fabio Pusterla, il lavoro del poeta
2018 Monte Amiata
2019 Ferine
2019 Mud Road
2019 Talking to Control
2019 The Pace of Water
2020 Gli Atomici Fotonici
2020 Love is a Dog
2020 Suole di vento - Storie di Goffredo Fofi
2020 The Huddle
2020 The Inner Mountain
2020 The White Wall
2020 Verdiana
2020 War and Peace
2020 ZONA/
2021 Closing Time
2021 Playground
2021 The Rat's Angle
2021 un/Hook
2022 Happy New Year, Jim
2022 Inchei
2023 Eschaton Ad
2023 Frente a Guernica
2023 Negramaro Back Home - Ora so restare
2023 Oceans Are the Real Continents
2023 Pinoquo
2023 Terra Nova, The Land of Long Shadows
2023 The last slice of rainbow
2024 Daisy Bullet
2024 Food for Profit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.