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Natasza Cetner

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Biography from TheMovieDB

Natasza Cetner is an award-winning Polish Animation Director and Illustrator. She has an MA in Animation from the Royal College of Art in London and a BA from the University of Westminster. The main themes of her works are the absurdity of the world around us and the surreal, while other works and films focus on conveying the unconscious and its desires, and the anxiety of the insomniac mind. She loves to take inspiration from real-life stories and transform them into engaging short films and visuals. Her graduation film Nigel was premiered on Short of the Week and honoured with a Vimeo Staff Pick. It has been nominated for the McLaren Award at the Edinburgh International Film Festival and received awards worldwide. The latest film she directed animation-wise is The Wind Whistles and has been screened at film festivals worldwide. She is currently working as an Animation Director as a freelancer.

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Film Production

Animation:
2017  True North
2019  Baraa
????  Stalking the Bogeyman

Animation Department Coordinator:
2017  True North
2019  Baraa
2021  The Wind Whistles
????  Stalking the Bogeyman

Animation Director:
2017  True North
2019  Baraa
2021  The Wind Whistles
2024  Inside, The Valley Sings
????  Stalking the Bogeyman

Director:
2016  The Three Tales from Alexandria
2017  True North
2019  Baraa
2020  Nigel
2021  The Wind Whistles
2023  And The Cranes Kept Dancing
2024  Inside, The Valley Sings
????  Stalking the Bogeyman

Sound:
2016  The Three Tales from Alexandria
2017  True North
2019  Baraa
2020  Nigel
2021  The Wind Whistles
2023  And The Cranes Kept Dancing
2024  Inside, The Valley Sings
????  Stalking the Bogeyman

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.