Lucas Andrade

He works in audiovisual performing various functions, including editing and direction. As an editor, he worked on dozens of short films with screenings at national and international festivals, including “Imóvel” [2015], by Isaac Pipano, which premiered at the Rio Festival and was shown in Portugal at the Brazilian Festival of Santa Maria da Feira, and “We are what we once were” [2014], by Ricardo Fogliatto. He also edited the feature film “Males sem Terra” [2016], by João Arthur Soares, shown at the 11th CineBH, in addition to the Making of “A antigravidade e os Meus Amigos” [2014], present on the DVD of the film “A ALEGRIA” , by Felipe Bragança and Marina Meliande. He was part of the editing team in the campaign of state deputy Marcelo Freixo for mayor of Rio de Janeiro and created several clips for the rapper Mau do Carta. He was also part of the editing team for the feature film “Um Filme de Verão”, by Jo Serfaty, which was shown at several festivals in Brazil and abroad. He has already taught editing courses at the Escola Livre de Cinema de Nova Iguaçu and at the Academia Internacional de Cinema, in addition to working on the Imagens em Movimento project, which teaches cinema to students from public schools in Rio de Janeiro.

Additional information:

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Art Direction:
2018  Boy in Yellow

Director:
2018  Boy in Yellow
2022  Grade

Director of Photography:
2013  Marrow
2018  Boy in Yellow
2022  Grade

Editor:
2013  Marrow
2018  Boy in Yellow
2022  Grade

Production Director:
2013  Marrow
2018  Boy in Yellow
2022  Grade

Screenplay:
2013  Marrow
2018  Boy in Yellow
2022  Grade

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.