A work in constant progress (and occasional regress).
Alias:
Alena Surzhikova
Aljona Surikova
Aljona Surzikova
Aļona Suržikova
Алена Суржикова
Алёна Суржикова
Director:
2008 Generation 0
2009 Miss Robinson
2010 Worker Portrait
2013 Not My Land
2015 Bachelor and Volga
2017 Paradise Behind the Fence
2018 Roots
2018 Waiting for a Miracle
2020 Soviet Friendsbook
2024 Kaarel Kurismaa. The Limits of Timelessness
Director of Photography:
2008 Generation 0
2009 Miss Robinson
2010 Worker Portrait
2013 Not My Land
2015 Bachelor and Volga
2017 Paradise Behind the Fence
2018 Roots
2018 Waiting for a Miracle
2020 Soviet Friendsbook
2024 Kaarel Kurismaa. The Limits of Timelessness
Editor:
2008 Generation 0
2009 Miss Robinson
2010 Worker Portrait
2013 Not My Land
2015 Bachelor and Volga
2017 Paradise Behind the Fence
2018 Roots
2018 Waiting for a Miracle
2020 Soviet Friendsbook
2024 Kaarel Kurismaa. The Limits of Timelessness
Producer:
2008 Generation 0
2009 Miss Robinson
2010 Worker Portrait
2013 Not My Land
2015 Bachelor and Volga
2017 Paradise Behind the Fence
2018 Roots
2018 Waiting for a Miracle
2020 Soviet Friendsbook
2024 Kaarel Kurismaa. The Limits of Timelessness
Screenplay:
2008 Generation 0
2009 Miss Robinson
2010 Worker Portrait
2013 Not My Land
2015 Bachelor and Volga
2017 Paradise Behind the Fence
2018 Roots
2018 Waiting for a Miracle
2020 Soviet Friendsbook
2024 Kaarel Kurismaa. The Limits of Timelessness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.