Gary Popovich

Gary Popovich is a Toronto filmmaker, teacher and writer. His films are personal reflections on cultural history which have screened increasingly in Canada, the United States and Europe, and have sold to collections and to television for broadcast. Popovich has taught several courses in film production, as well as courses in film history and aesthetics at Sheridan College, and has conducted workshops on hand-processing, colour toning, and image manipulation. He has written on film for several film publications, worked as newsletter editor for the Liaison of Independent Filmmakers of Toronto (LIFT), and served on arts boards such as the Canadian Filmmakers’ Distribution Centre, the Euclid Theatre, the Grierson Documentary Seminars and Festival in Toronto, The Images Festival, and Cinema Giovanni in Italy.

Additional information:

The Search Form


Director:
1989  Caress
1989  Elegy
1990  Antigone
1998  Faultlines
2005  Forever
2013  Somewhere

Director of Photography:
1989  Caress
1989  Elegy
1990  Antigone
1998  Faultlines
2005  Forever
2013  Somewhere

Editor:
1989  Caress
1989  Elegy
1990  Antigone
1998  Faultlines
2005  Forever
2013  Somewhere
2016  Random Acts of Legacy

Producer:
1989  Caress
1989  Elegy
1990  Antigone
1998  Faultlines
2005  Forever
2013  Somewhere
2016  Random Acts of Legacy

Sound:
1989  Caress
1989  Elegy
1990  Antigone
1998  Faultlines
2005  Forever
2013  Somewhere
2016  Random Acts of Legacy

Writer:
1989  Caress
1989  Elegy
1990  Antigone
1998  Faultlines
2005  Forever
2013  Somewhere
2016  Random Acts of Legacy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.