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Brian Blum

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Biography from TheMovieDB

Brian Blum has over 15 years of experience in video production and post production management. Brian oversees all video production operations including productions of in-house originals, live streams, UHD/BD/DVD as well as media fulfillment to various platforms including theatrical exhibitors, streaming platforms, broadcast networks, and digital providers such as iTunes, Amazon, Hulu, and cable VOD. He also oversees Shout Factory's satellite post production office in Eugene, Oregon. Prior to joining Shout! Factory in 2005, Brian worked as a field sound engineer, freelance producer, and editor for various productions as well as a production coordinator for MGM Home Entertainment. Brian earned his BA degree in English and Business from SUNY Brockport in conjunction with Middlesex University in London.

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Film Production

Executive Producer:
2019  Super Sentai Madness: The Live Show

Production Coordinator:
2004  A Tribute to Stanley Kramer
2004  Away from Home
2004  In Conversation: Abby Mann and Maximillian Schell
2004  The Value of a Single Human Being
2005  The 'New York, New York' Stories
2006  Scoring the Silence
2019  Super Sentai Madness: The Live Show

Sound:
2004  A Tribute to Stanley Kramer
2004  Away from Home
2004  In Conversation: Abby Mann and Maximillian Schell
2004  The Value of a Single Human Being
2005  The 'New York, New York' Stories
2006  Scoring the Silence
2019  Super Sentai Madness: The Live Show

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.