Amelia Allwarden

Amelia Allwarden, ACE, is a Los Angeles-based film and television editor known for her dynamic storytelling and creative versatility. She is currently editing Overcompensating for A24 and Amazon.  Her credits include HBO’s Dune: Prophecy and Marvel Studios’ Echo. Amelia also edited six episodes across all Emmy-nominated Hulu series Pen15 seasons and collaborated with writer/director Aubrey Plaza on Cinema Toast, a Duplass Brothers anthology series for Showtime.  Amelia was originally from New Hampshire and earned a prestigious spot in the American Cinema Editors (ACE) Internship Program in 2015. She began her professional career as an assistant editor on TNT’s Good Behavior, where she was promoted to editor in season two.  Amelia also worked as an assistant editor on season two of HBO’s Westworld under showrunners Jonathan Nolan and Lisa Joy. During this time, she edited Evan Rachel Wood’s directorial debut short film, Queen. She reunited with Nolan and Joy as an editor on Westworld season four.  Committed to supporting the next generation of editors, Amelia actively mentors aspiring assistant editors and emerging talent in the post-production community.  Frank Balkin and Brian J. Goldberg at WPA represent her.

Additional information:

The Search Form


Additional Editor:
2024  Echo

Assistant Editor:
2016  Damien
2016  Good Behavior
2016  Westworld
2024  Echo

Editor:
2016  Damien
2016  Good Behavior
2016  Westworld
2018  Impulse
2019  Boomerang
2019  PEN15
2020  Little Fires Everywhere
2021  Cinema Toast
2022  Archive 81
2023  Daisy Jones & the Six
2024  Dune: Prophecy
2024  Echo
2024  Sunny
2025  Overcompensating

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.