Tamara Dondurey

Alias:
Tamara Dondurei
Тамара Дондурей

An art critic and director, Tamara Dondurey graduated from the art history department of Moscow State University’s history faculty. She has been published in Iskusstvo Kino, Expert, Empire, Artkhronika, and Vokrug Sveta, among others. In 2013 she graduated from Marina Razbezhkina and Mikhail Ugarov’s School of Documentary Film and Theatre. Her graduation project, the documentary film Day 21, was shown in the main competition at the open Russian film festival Kinotavr and participated in many other Russian and international festivals. Her short film Little Train won a prize for directing at the Dvizhenie festival, a prize for best debut at the 14th Kinoproba festival, and a special prize at Gorky fest.

Additional information:

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Cinematography:
2014  21 Days
2018  New Moscow

Director:
2014  21 Days
2018  Daniil Dondurey: Fragments
2018  New Moscow
2022  Stand by Me

Editor:
2014  21 Days
2018  Daniil Dondurey: Fragments
2018  New Moscow
2022  Stand by Me

Screenplay:
2014  21 Days
2018  Daniil Dondurey: Fragments
2018  New Moscow
2022  Stand by Me

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.