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António Porém Pires

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Film Production

Dialogue Editor:
2016  Neon Bull

Foley Artist:
2016  Neon Bull
2018  Extinction

Mixing Engineer:
2016  Neon Bull
2018  Extinction
2020  Bunker or Tales I Heard When the World Fell

Music:
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2020  Bunker or Tales I Heard When the World Fell

Sound:
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Rain Hums a Lullaby to Pain
2021  The Detection of Faint Companions
2023  Last Sunsets on Earth

Sound Designer:
2014  The Last Smallholder
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2019  Endless Night
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Rain Hums a Lullaby to Pain
2021  The Detection of Faint Companions
2021  Vieirarpad
2023  Last Sunsets on Earth

Sound Editor:
2014  The Last Smallholder
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2019  Ave Rara
2019  Endless Night
2019  Past Perfect
2019  Patrick
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2019  The Portuguese Woman
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Rain Hums a Lullaby to Pain
2021  The Detection of Faint Companions
2021  Vieirarpad
2023  Last Sunsets on Earth

Sound Mix Technician:
2014  The Last Smallholder
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2019  Ave Rara
2019  Endless Night
2019  Past Perfect
2019  Patrick
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2019  The Portuguese Woman
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Rain Hums a Lullaby to Pain
2021  The Detection of Faint Companions
2021  Vieirarpad
2023  Last Sunsets on Earth
2023  Sonido: Ivans & Tobis

Sound Mixer:
2014  The Last Smallholder
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2019  Ave Rara
2019  Endless Night
2019  Past Perfect
2019  Patrick
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2019  The Portuguese Woman
2020  Bruno Aleixo's Film
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Nha Mila
2020  Rain Hums a Lullaby to Pain
2021  The Detection of Faint Companions
2021  Vieirarpad
2022  Sermon to the Fish
2023  Last Sunsets on Earth
2023  Sonido: Ivans & Tobis
????  Late in the Evening

Sound Post Production Coordinator:
2014  The Last Smallholder
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2018  Nunca as minhas mãos ficam vazias
2019  Ave Rara
2019  Endless Night
2019  Past Perfect
2019  Patrick
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2019  The Portuguese Woman
2020  Bruno Aleixo's Film
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Nha Mila
2020  Rain Hums a Lullaby to Pain
2021  The Detection of Faint Companions
2021  Vieirarpad
2022  Sermon to the Fish
2023  Last Sunsets on Earth
2023  Sonido: Ivans & Tobis
????  Late in the Evening

Sound Re-Recording Mixer:
2014  The Last Smallholder
2015  The Hedgehog
2016  Neon Bull
2018  Extinction
2018  Nunca as minhas mãos ficam vazias
2019  As Happy As Possible
2019  Ave Rara
2019  Endless Night
2019  Past Perfect
2019  Patrick
2019  Sadness and Joy in the Life of Giraffes
2019  The Age of Anxiety
2019  The Portuguese Woman
2020  Bruno Aleixo's Film
2020  Bunker or Tales I Heard When the World Fell
2020  Mulher como Árvore
2020  Nha Mila
2020  Rain Hums a Lullaby to Pain
2021  Half a Light-Year
2021  The Detection of Faint Companions
2021  Vieirarpad
2022  Sermon to the Fish
2023  Last Sunsets on Earth
2023  Martínez
2023  Sonido: Ivans & Tobis
????  Late in the Evening

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TV Production

Sound Editor:
2016  Os Boys

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.