Radu Mihăileanu (b. 1958)

Alias:
Раду Михэйляну

Birthplace:
Bucarest, Romania

Born:
April 23, 1958

Additional information:

The Search Form


Adaptation:
2009  The Concert
2011  The Source

Assistant Director:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
2009  The Concert
2011  The Source

Dialogue:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
2009  The Concert
2011  The Source

Director:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
1993  Betrayal
1997  Bonjour Antoine
1998  Train of Life
2002  Les pygmées de Carlo
2005  Live and Become
2007  Opération Moïse
2009  The Concert
2011  The Source
2016  The History of Love

Producer:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
1993  Betrayal
1997  Bonjour Antoine
1998  Train of Life
2002  Les pygmées de Carlo
2005  Live and Become
2007  Opération Moïse
2009  The Concert
2011  The Source
2016  The History of Love

Scenario Writer:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
1993  Betrayal
1997  Bonjour Antoine
1998  Train of Life
2002  Les pygmées de Carlo
2005  Live and Become
2007  Opération Moïse
2009  The Concert
2011  The Source
2014  Cartoonists: Footsoldiers of Democracy
2016  The History of Love

Screenplay:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
1993  Betrayal
1997  Bonjour Antoine
1998  Train of Life
2002  Les pygmées de Carlo
2005  Live and Become
2007  Opération Moïse
2009  The Concert
2011  The Source
2014  Cartoonists: Footsoldiers of Democracy
2016  The History of Love

Writer:
1988  How Good the Whites Are
1988  The Seasons of Pleasure
1989  Plato's Banquet
1993  Betrayal
1997  Bonjour Antoine
1998  Train of Life
2002  Les pygmées de Carlo
2005  Live and Become
2007  Opération Moïse
2009  The Concert
2011  The Source
2014  Cartoonists: Footsoldiers of Democracy
2016  The History of Love

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.