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Paolo Del Brocco (b. 1963)

Birthplace:
Rome, Lazio, Italy

Born:
November 18, 1963

Additional information:

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Film Production

Associate Producer:
2019  Sin

Co-Producer:
2010  We Believed
2012  Caesar Must Die
2012  Reality
2013  Human Capital
2014  Greenery Will Bloom Again
2014  Leopardi
2015  Tale of Tales
2016  Sweet Dreams
2017  Nico, 1988
2018  Happy as Lazzaro
2018  Never Look Away
2018  There's No Place Like Home
2019  5 Is the Perfect Number
2019  An Officer and a Spy
2019  Chiara Ferragni: Unposted
2019  Martin Eden
2019  Sin
2019  The First King
2020  Bad Tales
2020  Miss Marx
2021  Freaks Out
2021  The Inner Cage
2021  The King of Laughter
2022  Caravaggio's Shadow
2022  La bella stagione
2022  Leonora addio
2022  Lord of the Ants
2022  Strangeness
2022  The Hummingbird

Producer:
2010  We Believed
2012  Caesar Must Die
2012  Reality
2013  Human Capital
2013  Sacro GRA
2014  Greenery Will Bloom Again
2014  Leopardi
2014  The Wonders
2015  Tale of Tales
2016  Fire at Sea
2016  Sweet Dreams
2017  A Family
2017  Il colore nascosto delle cose
2017  Love and Bullets
2017  Nico, 1988
2018  Dogman
2018  Happy as Lazzaro
2018  Never Look Away
2018  The Stolen Caravaggio
2018  There's No Place Like Home
2019  5 Is the Perfect Number
2019  An Officer and a Spy
2019  Chiara Ferragni: Unposted
2019  Martin Eden
2019  Pinocchio
2019  Sin
2019  The First King
2019  The Staggering Girl
2019  The Traitor
2020  Bad Tales
2020  Hammamet
2020  Miss Marx
2020  Notturno
2020  The Best Years
2021  Diabolik
2021  Freaks Out
2021  The Inner Cage
2021  The King of Laughter
2022  Caravaggio's Shadow
2022  Diabolik - Ginko Attacks
2022  Er gol de Turone era bono
2022  In Viaggio: The Travels of Pope Francis
2022  La bella stagione
2022  Leonora addio
2022  Lord of the Ants
2022  Strangeness
2022  The Hummingbird
2023  Diabolik - Who Are You?
2023  Io Capitano
2023  Kidnapped
2023  La Chimera
2023  The Commander
2024  The Damned
????  L'abbaglio

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.