A work in constant progress (and occasional regress).
Alias:
Veronica Font
Director:
???? Las manos de Alicia
Sound:
2018 Facing the Wind
2019 The End Will Be Spectacular
2019 The Writer from a Country Without Bookstores
2022 Duo
???? Las manos de Alicia
Sound Designer:
2011 Sinaia, más allá del océano
2018 Facing the Wind
2019 The End Will Be Spectacular
2019 The Writer from a Country Without Bookstores
2020 Tehran Blues
2020 Transoceánicas
2021 Hogar al Aire
2022 Duo
2022 Letter to My Mother for My Son
2023 Born to Be Born
???? Las manos de Alicia
Sound Post Production Coordinator:
2011 Sinaia, más allá del océano
2018 Facing the Wind
2019 The End Will Be Spectacular
2019 The Writer from a Country Without Bookstores
2020 Tehran Blues
2020 Transoceánicas
2021 Hogar al Aire
2021 Uncertain Path
2022 Duo
2022 Letter to My Mother for My Son
2023 Born to Be Born
???? Las manos de Alicia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.