A work in constant progress (and occasional regress).
Alias:
Dimitri Venkov
Dmitri Venkov
Dmitriy Venkov
Дмитрий Венков
Birthplace:
Novosibirsk, USSR (Russia)
Born:
January 2, 1980
Dimitri gained initial recognition with his debut film, "Mad Mimes," in 2012. His subsequent work, "Krisis," was selected for the Oberhausen Film Festival and featured in Documenta 14. In 2018, Dimitri's film, "The Hymns of Muscovy," received accolades at international film festivals, was broadcast on TV and streaming platforms, and found its place in prominent institutional and private art collections. Dimitri has participated in biennials in Moscow, Bergen, Goteborg, Wroclaw, among others. His works have been showcased at esteemed galleries such as Whitechapel and Hayward, and he has held personal exhibitions at MHKA, Nassauischer Kunstverein, CCA Winzavod, and Manezh. Dimitri's contributions have garnered attention from both Russian writers, including Anna Tolstova, Alexandra Novozhenova, Boris Klushnikov, Andrey Shental, Gleb Napreenko, Alexander Evangely, and international figures such as Kate Sutton, Simon Mraz, Yin Xiuzhen, Nagihan Haliloğlu, and Davide Deriu.
Adaptation:
2016 Krisis
Camera Operator:
2012 Mad Mimes
2016 Krisis
Cinematography:
2012 Mad Mimes
2016 Krisis
???? Long Encounters Quick Farewells
Director:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Director of Photography:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Editor:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Producer:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2020 Hot And Cold
2021 Valentine One Blue Eye
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Screenplay:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2020 Hot And Cold
2021 Valentine One Blue Eye
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Screenstory:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2020 Hot And Cold
2021 Valentine One Blue Eye
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Storyboard:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2020 Hot And Cold
2021 Valentine One Blue Eye
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Storyboard Artist:
2012 Mad Mimes
2013 America
2013 Like the Sun
2016 Krisis
2018 The Hymns of Muscovy
2019 The Shining Will Come Crashing Down
2020 Hot And Cold
2021 Valentine One Blue Eye
2023 Nothing Happens
???? Long Encounters Quick Farewells
???? We Are Your Grandfather
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.