Morrisa Maltz

Gallery Unavailable

Morrisa Maltz is an artist and filmmaker. She studied visual arts Columbia University. Her art, film, and performance work have been shown at MOCA, Los Angeles, as well as at the MCA, Santa Barbara and galleries internationally.  In 2012, she created Mofones, an art product for iphone that was sold at Urban Outfitters, Nordstrom and Museum stores worldwide. Her first short film, The Caretaker, won best narrative short at LES Film Festival and in 2014 her short film, Odyssea, premiered at Slamdance film festival. Morrisa’s first feature documentary, Ingrid, (read more via The Sundance Institute) was applauded as a “festival gem” on the 2018 festival circuit and won several awards. Ingrid screened on PBS and is distributed by Grasshopper Films. Her first narrative feature, The Unknown Country, premiered at SXSW 2022 and was hailed by Indiewire as “a stunning spiritual companion to Terrence Malick and ‘Nomadland.” After the film’s 2023 theatrical release by Music Box Films, Lily Gladstone was nominated for a 2023 Gotham Award for Outstanding Lead Performance in the film. Morrisa is represented by UTA in all areas.

Additional information:

The Search Form


Director:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

Editor:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

Producer:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

Production Design:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

Screenplay:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

Story:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

Writer:
2013  The Caretaker
2014  Odyssea
2018  Ingrid
2023  The Unknown Country
2024  Jazzy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.