A work in constant progress (and occasional regress).
Birthplace:
São Paulo, Brazil
Leonardo Pirondi is a Brazilian filmmaker based in Los Angeles. His films explore the infinite abyss between the multiple derived versions of reality through non-conventional structures of documentary, experimental, and narrative modes. Much of his work uses analog film techniques to create, inhabit, and document worlds that explore sociopolitical unfoldings between history, imagination, myth, and technology. His films have been exhibited at film festivals and venues worldwide, including the International Film Festival Rotterdam, New York Film Festival, Viennale, BFI London, Melbourne, Edinburgh, Guanajuato, True/False, Ambulante, Rencontres Internationales Paris/Berlin, and others. Some of his films exist in the UCLA Film & Television Archive collection and the Cinematheque of the Museum of Modern Art in Rio de Janeiro. He holds a Film/Video degree from CalArts, is a Sundance Institute Fellow, and has received the Allan Sekula Social Documentary Fund and Tim Disney Prize for Excellence in the Storytelling Arts.
Animation:
2021 Benning's Dream
2022 Vision of Paradise
Cinematography:
2019 This is Mine, This is Yours
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2022 Effulgent Gleam
2022 Vision of Paradise
Director:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 When We Encounter the World
Director of Photography:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 Breaking Myths
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 When We Encounter the World
Editor:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 Breaking Myths
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 When We Encounter the World
Gaffer:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 Breaking Myths
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 A Slippage in Five Movements
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 When We Encounter the World
Music:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 A Thousand Years Ago
2022 Breaking Myths
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 A Slippage in Five Movements
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 When We Encounter the World
Producer:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 A Thousand Years Ago
2022 Breaking Myths
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 A Slippage in Five Movements
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 The Instability of Clouds
2024 When We Encounter the World
Production Sound Mixer:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 A Thousand Years Ago
2022 Breaking Myths
2022 Effulgent Gleam
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 A Slippage in Five Movements
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 The Instability of Clouds
2024 When We Encounter the World
Sound:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 A Thousand Years Ago
2022 Breaking Myths
2022 Effulgent Gleam
2022 Nona
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 A Slippage in Five Movements
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 The Instability of Clouds
2024 When We Encounter the World
Writer:
2019 This is Mine, This is Yours
2020 Earth Had Issues Loading...
2021 Benning's Dream
2021 If a Tree Falls in a Forest
2021 In Search of Mount Analogue
2022 A Thousand Years Ago
2022 Breaking Myths
2022 Effulgent Gleam
2022 Nona
2022 The Perfect Room
2022 Vision of Paradise
2022 What Remains
2023 A Slippage in Five Movements
2023 SMPTE FOREST
2023 Welcome Home
2024 Adrift Potentials
2024 The Instability of Clouds
2024 When We Encounter the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.