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Mike Medavoy (b. 1941)

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Born:
January 21, 1941

Biography from TheMovieDB

Sample some of the best American films over the past forty years and there's a good chance Mike Medavoy played a role in the success of many of them. From agent to studio chief to producer, he has been involved with over 300 feature films, of which 17 have been nominated and 7 have won Best Picture Oscars®, as well as numerous international film festival awards.  Medavoy began his career at Universal Studios in 1964. He rose from the mail room to become a casting director. In 1965, he became an agent at General Artist Corporation and then vice-president at Creative Management Agency. Joining International Famous Agency as vice-president in charge of the motion picture department in 1971, he worked with such prestigious clients as Steven Spielberg, Francis Ford Coppola, Terrence Malick, Jane Fonda, Donald Sutherland, Gene Wilder, Jeanne Moreau, and Jean-Louis Trintignant.

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Film Performances

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Film Production

Executive Producer:
2000  Vertical Limit
2002  The Outsider
2015  Listen to Me Marlon
2024  Ozi: Voice of the Forest

Producer:
2000  The 6th Day
2000  Vertical Limit
2002  The Outsider
2003  Basic
2003  Holes
2005  Stealth
2006  All the King's Men
2006  Miss Potter
2007  License to Wed
2007  Pathfinder
2007  Resurrecting the Champ
2007  Zodiac
2010  Black Swan
2010  Shanghai
2010  Shutter Island
2012  What to Expect When You're Expecting
2015  Listen to Me Marlon
2015  The 33
2016  The Promise
2023  The Last Voyage of the Demeter
2024  Ozi: Voice of the Forest
????  Joseph Merrick
????  Urban Legend

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TV Performances

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TV Production

Executive Producer:
2018  Altered Carbon

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.