Nadia Parfan

Alias:
Nadia Parfan
Nadiya Parfan
Nadya Parfan
Надiя Парфан
Надя Парфан

Nadia Parfan, born in Ivano-Frankivsk, graduated from the Kyiv-Mohyla Academy and the Central European University. She is a curator and co-founder of "86" Festival of Film and Urbanism.

Additional information:

The Search Form


Cinematography:
2022  I Did Not Want to Make a War Film

Creative Producer:
2022  I Did Not Want to Make a War Film
2023  Dovecotes of Kyiv

Director:
2013  Exarch
2016  Reve ta Stohne on Tour
2017  Housewarming
2019  Heat Singers
2021  Women Who Play
2022  I Did Not Want to Make a War Film
2023  Dovecotes of Kyiv
2023  It’s a Date

Editor:
2013  Exarch
2016  Reve ta Stohne on Tour
2017  Housewarming
2019  Heat Singers
2021  Women Who Play
2022  I Did Not Want to Make a War Film
2023  Dovecotes of Kyiv
2023  It’s a Date

Producer:
2013  Exarch
2015  Fall
2015  In the East
2016  70 Streets
2016  Has-Beens
2016  It's Quiet Down Below
2016  Reve ta Stohne on Tour
2017  Acute Pain
2017  Anew
2017  Housewarming
2017  Ma
2017  Me and Mariupol
2018  Diorama
2018  Dream Machine
2018  My Friend Don Quixote
2018  People’s Museum of Avdiivka
2019  Giorgos and Polya
2019  Heat Singers
2021  Women Who Play
2022  I Did Not Want to Make a War Film
2023  70 000 Years Ago
2023  Dovecotes of Kyiv
2023  It’s a Date

Screenplay:
2013  Exarch
2015  Fall
2015  In the East
2016  70 Streets
2016  Has-Beens
2016  It's Quiet Down Below
2016  Reve ta Stohne on Tour
2017  Acute Pain
2017  Anew
2017  Housewarming
2017  Ma
2017  Me and Mariupol
2018  Diorama
2018  Dream Machine
2018  My Friend Don Quixote
2018  People’s Museum of Avdiivka
2019  Giorgos and Polya
2019  Heat Singers
2021  Women Who Play
2022  I Did Not Want to Make a War Film
2023  70 000 Years Ago
2023  Dovecotes of Kyiv
2023  It’s a Date

Sound:
2013  Exarch
2015  Fall
2015  In the East
2016  70 Streets
2016  Has-Beens
2016  It's Quiet Down Below
2016  Reve ta Stohne on Tour
2017  Acute Pain
2017  Anew
2017  Housewarming
2017  Ma
2017  Me and Mariupol
2018  Diorama
2018  Dream Machine
2018  My Friend Don Quixote
2018  People’s Museum of Avdiivka
2019  Giorgos and Polya
2019  Heat Singers
2021  Women Who Play
2022  I Did Not Want to Make a War Film
2023  70 000 Years Ago
2023  Dovecotes of Kyiv
2023  It’s a Date

Writer:
2013  Exarch
2015  Fall
2015  In the East
2016  70 Streets
2016  Has-Beens
2016  It's Quiet Down Below
2016  Reve ta Stohne on Tour
2017  Acute Pain
2017  Anew
2017  Housewarming
2017  Ma
2017  Me and Mariupol
2018  Diorama
2018  Dream Machine
2018  My Friend Don Quixote
2018  People’s Museum of Avdiivka
2019  Giorgos and Polya
2019  Heat Singers
2021  Women Who Play
2022  I Did Not Want to Make a War Film
2023  70 000 Years Ago
2023  Dovecotes of Kyiv
2023  It’s a Date

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.