Martin Bell

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Martin is an award-winning writer, director, and animator. His short animated film, PRAZINBURK RIDGE, created in Unreal Engine, has won multiple awards on the film festival circuit in 2022–23.  As a film visualisation supervisor, Martin has worked with directors to imagine and plan huge action sequences for tentpole franchise features. His 20+ blockbuster credits include JURASSIC WORLD: FALLEN KINGDOM, FAST & FURIOUS: HOBBS & SHAW, NO TIME TO DIE, THE LITTLE MERMAID, 1917, and THE WHEEL OF TIME. Most recently, he was the VFX Art Director on Marvel’s Deadpool 3.  In 2022, he was selected to be a part of the inaugural Future of Film Incubator and accepted into BAFTA Connect. In 2023, he was twice an Unreal Engine Fellowship Mentor and joined the combined ranks of Dimension Studios and DNEG 360 as its first real-time visualisation supervisor.  He is currently in development on his debut feature as a writer/director, Dead Man's Hill, expected to shoot in early 2025.

Additional information:

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Pre-Visualization Supervisor:
2018  Jurassic World: Fallen Kingdom
2020  Dolittle
2021  Cinderella
2021  No Time to Die
2022  The Princess
2023  The Little Mermaid
2024  Something in the Water

Visual Effects Art Director:
2018  Jurassic World: Fallen Kingdom
2020  Dolittle
2021  Cinderella
2021  No Time to Die
2022  The Princess
2023  The Little Mermaid
2024  Deadpool & Wolverine
2024  Something in the Water

Pre-Visualization Supervisor:
2013  The Blacklist
2021  The Wheel of Time

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.