Mads K. Baekkevold (b. 1984)

Alias:
Mads Karlsen Bækkevold

Birthplace:
Levanger, Norway

Born:
July 7, 1984

Mads K. Baekkevold is a Norwegian filmmaker. His film career started in Singapore, where he spent close to a decade in the Southeast Asian film industry. A position as a senior creative at Media.Monks set him on the move again, this time to the cobblestone fairytale city of Amsterdam. Never content with staying put, he's currently located in the Pacific Northwest of Vancouver, BC from his X-Files and Twin Peaks-loving childhood.  Constantly being on the move has instilled a sense of curiosity in Mads, both as a filmmaker and as a person. Curiosity for people, for their stories, for their customs and rituals and folklore. Besides his considerable success working as a Cannes Lions-awarded commercial director, this curiosity has led him to projects such as Still Space (a documentary on the art scene of Macau), his award-winning short film Chamber of Ox (an anthology series instalment exploring the concept of hell in Buddhism), a series of four short pan-Asian horror films for Universal Studios - and many more. His debut feature The Chef & The Daruma premiered at VIFF in 2024.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.