A work in constant progress (and occasional regress).
Alias:
Mads Karlsen Bækkevold
Birthplace:
Levanger, Norway
Born:
July 7, 1984
Mads K. Baekkevold is a Norwegian filmmaker. His film career started in Singapore, where he spent close to a decade in the Southeast Asian film industry. A position as a senior creative at Media.Monks set him on the move again, this time to the cobblestone fairytale city of Amsterdam. Never content with staying put, he's currently located in the Pacific Northwest of Vancouver, BC from his X-Files and Twin Peaks-loving childhood. Constantly being on the move has instilled a sense of curiosity in Mads, both as a filmmaker and as a person. Curiosity for people, for their stories, for their customs and rituals and folklore. Besides his considerable success working as a Cannes Lions-awarded commercial director, this curiosity has led him to projects such as Still Space (a documentary on the art scene of Macau), his award-winning short film Chamber of Ox (an anthology series instalment exploring the concept of hell in Buddhism), a series of four short pan-Asian horror films for Universal Studios - and many more. His debut feature The Chef & The Daruma premiered at VIFF in 2024.
Assistant Director:
2017 Forest of Copper Columns
Director:
2012 Cluster
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pagoda of Peril!
2018 Pontianak
2018 Stranger Things: Polaroid
2024 The Chef & The Daruma
Editor:
2012 Cluster
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pagoda of Peril!
2018 Pontianak
2018 Stranger Things: Polaroid
2024 The Chef & The Daruma
Writer:
2012 Cluster
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pagoda of Peril!
2018 Pontianak
2018 Stranger Things: Polaroid
2024 The Chef & The Daruma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.