Melanie Nelson

Melanie Nelson is originally from southern Utah. She received her Bachelor of Arts degree from Southern Utah University and performed as a member of the Utah Shakespearean Festival acting company. She went on to receive her Master of Fine Arts degree from Southern Methodist University where she performed at the Dallas Theater Center and Fort Worth Shakespeare in the Park, among other venues. In addition to her degrees, she has trained with voice coach Patsy Rodenburg (Head of Voice at The National Theatre, author: The Right to Speak) and is a recognized actor/combatant by the SAFD.Some of her favorite roles with PAC include Becca in The Rabbit Hole, Ms Cheveley in An Ideal Husband, Chris in Dancing At Lughnasa, Elvira in Blithe Spirit, Hanna in Arcadia and Catherine in Proof. Other roles include Portia in The Merchant of Venice (Greer Garson Theater), Annelle in Steel Magnolias (Provo Theatre Company), Ophelia in Hamlet (Fort Worth Shakespeare in the Park), Amy Lee in Laundry & Bourbon (The Egyptian Theatre), Gloria in You Never Can Tell (The Water Tower Theatre), Senior Actor inSix Characters in Search of an Actor (Greer Garson Theater), Hermia in A Midsummer Night’s Dream(Southwest Acting Company), Mariah in Loose Ends (Margo Jones Theater), Martha Cratchet in A Christmas Carol (The Dallas Theater Center), Maisy in SLAM – It Must Have Been Cold (Plan B Theatre Company) and Jane in The Women (Theatre Neo). Her television and film credits include: Midway to Heaven, Everwood and Charmed. 

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.