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Maddi Barber (b. 1988)

Birthplace:
Lacabe, Navarre, Spain

Born:
August 23, 1988

Biography from TheMovieDB

Maddi Barber Gutiérrez is a filmmaker. She was graduated in Audiovisual Communication and has a master’s degree in Visual Anthropology from the University of Manchester. Her films '592 metroz goiti' and 'Urpean lurra' portray the land affected by the Itoiz reservoir. Her latest work are 'Gorria' and 'Paraíso'.

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Additional information:

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Film Performances

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Film Production

Camera Operator:
2018  The Sound We See: A Pamplona City Symphony

Cinematography:
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2020  Red
2021  918 Nights

Director:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2020  Red
2021  918 Nights
2021  Paraíso
2024  Cambium

Director of Photography:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2020  Non-Stop
2020  Red
2021  918 Nights
2021  Paraíso
2024  Cambium

Editor:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2019  Xulia
2020  Non-Stop
2020  Red
2021  918 Nights
2021  Blue Sky
2021  Paraíso
2024  Cambium

Producer:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2019  Medvedek
2019  Xulia
2020  Non-Stop
2020  Red
2021  918 Nights
2021  Blue Sky
2021  Paraíso
2021  Unicorn
2024  Cambium

Screenplay:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2019  Medvedek
2019  Xulia
2020  Non-Stop
2020  Red
2021  918 Nights
2021  Blue Sky
2021  Paraíso
2021  Unicorn
2024  Cambium

Sound Recordist:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2019  Medvedek
2019  Xulia
2020  Non-Stop
2020  Red
2021  918 Nights
2021  Blue Sky
2021  Paraíso
2021  Unicorn
2024  Cambium

Writer:
2016  Chantal Akerman, un recuerdo
2018  Above 592 Metres
2018  The Sound We See: A Pamplona City Symphony
2018  Yours Truly
2019  Land Underwater
2019  Medvedek
2019  Xulia
2020  Non-Stop
2020  Red
2021  918 Nights
2021  Blue Sky
2021  Paraíso
2021  Unicorn
2024  Cambium

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.