A work in constant progress (and occasional regress).
Birthplace:
New York
Daniel J. Egbert is a Student Emmy-nominated filmmaker, and a semifinalist in the 2023 Academy Nicholl Fellowship. He is the 2021 recipient of the Richard P. Rogers Spirit Of Excellence Award For Directing presented by AFI Fest, and one of twelve filmmakers selected for the seventh annual CAA Moebius Showcase. Daniel’s first feature, THE WAYS OUR BODIES BURN, is in development—mentored by Eric Roth, produced by Thomas Mahoney. Originally from New York, Daniel left home at seventeen to join the United States Marine Corps Infantry. He served four deployments including both the Iraq and Afghanistan wars where he was wounded in combat. Daniel’s work explores loss of control, and how trauma complicates but beautifies the human experience—through themes of inadequacy, rage, and rebirth. Daniel earned an MFA in Directing from the AFI Conservatory. His second year films, ASHES and BIRTHDAY, were nominated for the KODAK/UFVF Excellence In Filmmaking Award. His thesis, CHORUS, was the AFI selection for the Yugo BAFTA Student Awards, garnered sixteen nominations and five wins, including six Oscar Qualifying selections.
Creative Consultant:
2023 A Place in the Field
Director:
2015 Project 22
2022 CHORUS
2023 A Place in the Field
2023 Porcelain
Writer:
2015 Project 22
2022 CHORUS
2023 A Place in the Field
2023 Porcelain
Staff Writer:
2024 NCIS: Origins
Writer:
2024 NCIS: Origins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.