A work in constant progress (and occasional regress).
Alias:
Γιώργος Αγγελόπουλος
Birthplace:
Athens, Greece
George Angelopoulos graduated from the Film School of Fine Arts of the Aristotle University of Thessaloniki, specializing in Directing. He then obtained a Master's degree in Screenwriting from the University of The Arts, London, on a scholarship. In 2017, he began working at the Development and Production Directorate of the Hellenic Film Center, for which he assumed the duties of Director in 2020. He put into effect a new modern Regulation of funding programs with a provision for the immediate absorption of young professionals into work and incentives that encouraged inclusivity among the contributors of short films. During his tenure, the evaluation mechanism was formed with a register of readers and clear artistic criteria, and hundreds of film projects at the writing, development and production stages were funded. He has been active in adult film education and participated in the creation and implementation of the Script Development workshop for Children and Youth Films of the Olympia International Film Festival. He is an external expert of the Creative Europe MEDIA Office and has contributed as a script consultant to short and feature films. The Goldfish (2017), his first short film as a screenwriter-director, had its international premiere at BFI Flare and was subsequently part of the British Council's International Campaign for Equality and Human Rights. In 2025 he completed his second short film.
Director:
2017 Goldfish
Screenplay:
2017 Goldfish
2018 Patision Avenue
Writer:
2017 Goldfish
2018 Patision Avenue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.