A work in constant progress (and occasional regress).
Alias:
Becky Neiman-Cobb
Art Department Manager:
2011 Cars 2
Associate Producer:
2011 Cars 2
2020 Onward
Editorial Manager:
2011 Cars 2
2015 Inside Out
2020 Onward
Graphic Designer:
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2011 Cars 2
2015 Inside Out
2020 Onward
Lighting Manager:
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2009 Up
2011 Cars 2
2015 Inside Out
2020 Onward
Producer:
1998 Lavender Limelight
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2009 Up
2011 Cars 2
2015 Inside Out
2018 Bao
2020 Onward
Production Artist:
1998 Lavender Limelight
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2007 Ratatouille
2009 Up
2011 Cars 2
2015 Inside Out
2018 Bao
2020 Onward
Production Assistant:
1998 Lavender Limelight
2005 Jack-Jack Attack
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2006 Lifted
2007 Ratatouille
2009 Up
2011 Cars 2
2015 Inside Out
2018 Bao
2020 Onward
Production Coordinator:
1998 Lavender Limelight
2005 Jack-Jack Attack
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2006 Lifted
2007 Ratatouille
2008 WALL·E
2009 Up
2011 Cars 2
2015 Inside Out
2018 Bao
2020 Onward
Production Manager:
1998 Lavender Limelight
2005 Jack-Jack Attack
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2006 Lifted
2007 Ratatouille
2008 WALL·E
2009 Up
2011 Cars 2
2015 Inside Out
2016 Finding Dory
2018 Bao
2020 Onward
Thanks:
1998 Lavender Limelight
2005 Jack-Jack Attack
2005 Mr. Incredible and Pals
2005 The Making of 'The Incredibles'
2006 Lifted
2007 Ratatouille
2008 WALL·E
2009 Up
2011 Cars 2
2015 Inside Out
2016 Finding Dory
2017 Coco
2018 Bao
2018 Incredibles 2
2020 Onward
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.