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Pedro Semanovschi

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Film Production

Camera Operator:
2006  I Remember
2019  Dorivando Saravá, o Preto Que Virou Mar

Cinematography:
2001  Samba Riachão
2006  I Remember
2008  Tudo Isto Me Parece um Sonho
2011  Balzac's Last Novel
2011  Ser Tão Cinzento
2015  Rogério Duarte, o Tropikaoslista
2016  A Noite Escura da Alma
2016  Galeria F, Quando a Chuva Passa
2019  Dorivando Saravá, o Preto Que Virou Mar
2019  Sol da Bahia
2024  Sagrado Compor

Director of Photography:
2001  Samba Riachão
2005  Na Terra do Sol
2006  I Remember
2008  Tudo Isto Me Parece um Sonho
2011  Balzac's Last Novel
2011  Ser Tão Cinzento
2012  Antônio Conselheiro: O Taumaturgo dos Sertões
2013  Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade
2013  Trampolim do Forte
2014  The Movie of Charlie
2015  Rogério Duarte, o Tropikaoslista
2016  A Noite Escura da Alma
2016  Galeria F, Quando a Chuva Passa
2019  Dorivando Saravá, o Preto Que Virou Mar
2019  Sol da Bahia
2019  Sou Carnaval de São Salvador
2021  Nina
2024  Far From Paradise
2024  Sagrado Compor
????  Café, Pépi e Limão

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.