Vladislav Pasternak (b. 1982)

Alias:
Владислав Пастернак

Born:
August 1, 1982

Born on August 1, 1982. Got his first film education at Kadr Film School on Lenfilm Stuidos, St. Petersburg, specializing in animation. After high school, spent one year learning medicine in St. Petersburg Paediatric Academy, but quit and entered University of Culture and Arts to study media design. Worked as film reviewer, TV cameraman, advertising manager, shooting amateur films at his spare time. Four years later, Vladislav Pasternak entered St. Petersburg University of Film & TV to study film production under Sergei Selyanov’s mentorship. Was granted a stipend from Russian Producers Guild. Worked in a theater “Mirage Cinema” for a while and took an intership in Nashe Kino distribution group. Mr. Pasternak’s first experience of work in a professional film unit was on set of “Ulitsy razbitykh fonarey”, Russia’s most well-known crime series.

Additional information:

The Search Form


Executive Producer:
2013  Man on the coast

Producer:
2004  Illusion
2006  Nonhuman
2013  Man on the coast
2017  Censor
2017  Nearest and Dearest
2019  Comeback
????  Adam's Perfection
????  Лихо
????  Люби меня иной

Story:
2004  Illusion
2006  Nonhuman
2013  Man on the coast
2017  Censor
2017  Nearest and Dearest
2019  Comeback
????  Adam's Perfection
????  Лихо
????  Люби меня иной

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.