A work in constant progress (and occasional regress).
Birthplace:
Berkeley, California, USA
Morgan Schmidt-Feng, the founder of Filmsight Productions, is an award-winning director, producer and cinematographer for TV, documentaries, and independent feature films.
Associate Producer:
1989 Morgan's Cake
Best Boy Grip:
1989 Morgan's Cake
2016 Autumn in the Vineyard
2017 Royal New Year's Eve
Camera Operator:
1989 Morgan's Cake
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2016 Autumn in the Vineyard
2017 Royal New Year's Eve
Camera Trainee:
1989 Morgan's Cake
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
Cinematography:
1989 Morgan's Cake
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
Co-Producer:
1989 Morgan's Cake
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2010 Prospects
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
Director:
1989 Morgan's Cake
2001 Chetzemoka's Curse
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2010 Prospects
2015 On Her Own
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
2018 The Ravenite
Director of Photography:
1989 Morgan's Cake
1999 Crash My Funeral
2001 Chetzemoka's Curse
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2010 Prospects
2015 On Her Own
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
2018 The Ravenite
Dolly Grip:
1989 Morgan's Cake
1999 Crash My Funeral
2001 Chetzemoka's Curse
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2010 Prospects
2015 On Her Own
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
2017 Summer in the Vineyard
2018 The Ravenite
2019 A Brush with Love
Producer:
1989 Morgan's Cake
1999 Crash My Funeral
2001 Chetzemoka's Curse
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2010 Prospects
2015 On Her Own
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
2017 Summer in the Vineyard
2018 The Ravenite
2019 A Brush with Love
Writer:
1989 Morgan's Cake
1999 Crash My Funeral
2001 Chetzemoka's Curse
2002 Films Are Not Released, They Escape
2002 From Puppets to Pixels: Digital Characters in 'Episode II'
2010 Prospects
2015 On Her Own
2016 Autumn in the Vineyard
2017 A Dash of Love
2017 Royal New Year's Eve
2017 Summer in the Vineyard
2018 The Ravenite
2019 A Brush with Love
Director of Photography:
2011 Stalked: Someone's Watching
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.